Sometimes you have to look back in order to see where you are going. “Evolving into Deep Time” reveals how my art has evolved from studying and painting landforms to a more complete understanding of the complex geology of our province.
in 1987 I left Newfoundland to pursue a Fine Arts degree in St. Catharines, Ontario. My artwork gravitated to memories from my childhood and my thoughts of the past were my anchor for the present. Geography courses were my electives and I found inspiration in learning about the geographical processes that shaped the land, particularly coastal processes. I looked towards my home province to relate to these concepts and applied them to the Newfoundland landscape.
After completing the program I moved back home and found employment at the Queen Elizabeth II Library. My interest in the geography of the province grew and the library was my source for academic texts, published reports and maps. My landform studies became stories of the Newfoundland landscape and I learned how glaciers shaped our land and the sea shaped our coastline. However, the interaction of the sea and land drew me to find the stories on beaches and I concentrated on the variety of colour and texture in the rocks. I became more and more interested in the formation of the rocks and I looked at the cliffs and outcrops that surrounded the beaches. Geology maps, reports and field journals of past geologists became travel guides as I set out on my own geologic journeys to find unique rock formations.
The stories of the rocks span an immense time period that often leaves me in awe. Over a period of 30 years my research, journeys and visual interpretation of the unique geology of Newfoundland and Labrador has evolved to see beyond the beach and into Deep Time.

Bellevue Beach #2, acrylic on canvas, 32 x 40 inches, 1988 - NFS

Beachrocks, 12 x 14 inches, graphite on paper, 1989 - NFS

Study for Beachrocks

Bellevue Beach #1, acrylic on canvas, 22 x 35 inches, 1988 - NFS

Pondscape, acrylic on canvas, 28 x 32 inches, 1990 - NFS

The Watzmann (after Caspar David Freidrich), charcoal on manilla paper, 14 x 18 inches, 1989 - NFS

Study for Risengeberge (after Caspar David Friedrich), charcoal on manilla paper, 14 x 18 inches, 1989 - NFS

Outside Fort Amherst, collagraph, 12 x 14 inches, 1989 - NFS

Erratics on Watch Hill, 16 x 20 inches, 1993, $300

Beach Plants, Point La Haye, acrylic on canvas, 24 x 32 inches, 1990, $500

Erractic study, Old School House Point, graphite on paper, 8 x 10 inches, matted - $75

Erratic Study, Old School House Point, acrylic on paper, 8 x 10 inches, matted - $75

Erratic Study, Old School House Point, graphite on paper, 8 x 10 inches, matted - $75

Erratic study, Old School House Point, acrylic on paper, 8 x 10 inches, matted - $75

Barasway, monoprint, 15 x 22 inches, 2004, $175

Tide's Low, acrylic on canvas, 16 x 20 inches, 2007, NFS

The Gathering, Watch Hill, acrylic on canvas, 24 x 14 inches, 2005, NFS

In Dark Corners, acrylic on panel, 12 x 12 inches, $400

Studies for Peculiar Red and Green Shales

Peculiar red and green shales, acrylic on canvas, 30 x 60 inches, 2014, NFS

Circus rocks, Mall Bay, acrylic on paper, 7 1/4 x 10 1/4 inches, $200

The Abyss, Fairhaven, acrylic on panel, 20 x 20 inches, NFS